Sam Shepard

One of the plays that first announced Sam Shepard as an original voice in American theater, Tooth of Crime is his thrillingly innovative rock drama, published here in a revised edition that is as fresh and provocative as the original was more than thirty years ago.
An aging rock star in a world in which entertainment and street warfare go hand in hand, Hoss must defend himself against Crow, a newcomer who battles him for fame. Combining...

From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks.
A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering...

Sam Shepard was arguably America's finest working dramatist, as well as an accomplished screenwriter, actor, and director. Winner of a Pulitzer Prize, he wrote more than forty-five plays, including True West, Fool for Love, and Buried Child. Shepard also appeared in more than fifty films, beginning with Terrence Malick's Days of Heaven, and was nominated for an Academy Award for his performance in The Right Stuff. Despite the publicity his work and...

Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a living legend in the theater.

Austin, a Hollywood writer and his unsuccessful, drifter brother attempt to switch identities. Along the way, both realize that each other's life isn't at all what they hoped it would be. For each man, the myth of the Great Frontier is finally vanquished.

Love, hate, and myths of the Old West are evidenced in violent confrontation between half-brother and half-sister, who happen to be lovers. Background music. 1 act, 3 men, 1 woman, 1 interior.

In searing, beautiful prose, Sam Shepard's extraordinary narrative leaps off the page with its immediacy and power. It tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt eyes, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator's memories and preoccupations...

Howard Spence, a washed-up Western movie star, uses alcohol, drugs, and young women to escape from the pain of his life. One day he suddenly flees the set of his latest Western on horseback and goes to visit his mother in Nevada. She tells him that he might have a grown son in Montana, where he once had a fling with a local waitress. Howard sets out to meet his son with an insurance agent from his abandoned film in pursuit